Regardless of the subject, it’s a good idea to try and envisage the start and end points for your time-lapse sequence, as this will determine how you frame the shot initially. Something simple like ice cubes or ice cream melting, the comings and goings of your family and pets around your kitchen, or a plastic model being built are good starting points. The world really is your time-lapse oyster, and there are a host of diverse subjects that suit this technique. (Image credit: Future) (opens in new tab) 3. So to create a ten second time-lapse movie, you’ll need to shoot 250 or 300 frames! If your camera is set to PAL video system in the yellow Set-up menu, then it’s 25 frames per second, and if it’s set to NTSC it’s 30 frames per second. The playback time is based on how many frames it takes to fill one second of footage at standard playback speed. As you increase both the interval and the number of shots, the recording time can jump.
#Canon 5d slow motion twixtor movie#
Again, you can monitor this when you set up the Time-lapse Movie mode in the camera’s menu. The number of shots you choose to record will affect both the recording time and the playback time. When you enable Time-lapse Movie shooting in the camera’s menu, you can see the recording time change when you adjust the interval. The interval you choose will also have an impact on how long the time-lapse will take to record. But if you’re shooting a landscape on a windy day, then you may need to work in much smaller increments of just a few seconds so that the motion of fast-moving clouds plays back smoothly in the final movie. If you’re photographing a slow-moving subject, such as a flower blooming or wilting, then you’ll need to leave a gap of multiple minutes between each shot. The speed of the movement you want to capture will determine the interval you should use between each picture. Recording time and playback time are two crucial aspects to consider when you’re setting up your camera to shoot a time-lapse. (Image credit: Future) (opens in new tab) 2. You can’t use flash for example, and you can’t change your mind about the camera settings once you’ve started recording. The downside is that you don’t get as much flexibility when it comes to shooting. The image is automatically cropped to the standard aspect ratio for video playback and you end up with a movie you can share instantly. But you will be sit in front of a computer for a lot longer… You can also choose to shoot Raw files, use flash, playback your images and make adjustments between each picture, such as tweaking the focus, exposure, white balance and Picture Style. You get more flexibility with the Intervalometer, as you can choose to turn the images into a time-lapse film or do something creative with the stills – such as combining a few of them in a single image to illustrate the passage of time. There are advantages and disadvantages to each option.
#Canon 5d slow motion twixtor software#
The main difference is that the camera automatically creates a video clip for you in Time-lapse Movie mode, with the Intervalometer saves each individual picture to the memory card – you create the movie in software later.
Both of these functions work in basically the same way, allowing you to choose how many pictures to take and the gap you want between each one. While the EOS 250D and EOS M50 just have a Time-lapse Movie mode, a number of other EOS cameras also have an additional Intervalometer option for shooting stills. It’s a tedious way of doing it, but it does at least give you control over the process, allowing you to alter the image settings while you shoot, and or increase or decrease the number of frames you take in order to selectively slow down or speed up the action at points in your final film. This obviously only suits a subject where the change you want to record in the time-lapse occurs over a short time period. You can, of course, go back to basics and take the time-lapse images yourself, manually timing the interval between each shot. The concept is easy to grasp – take photos at regular intervals and then combine them in a video clip – but there are a few tricks to setting up your camera so that you end up with professional-looking results. You can compress minutes, hours and even days into just a few seconds, and reveal a world of movement and motion that might otherwise be too slow to see in real-time. Time-lapse is a creative technique that enables you to show how a subject or scene changes over time.
0 kommentar(er)
